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Kimber Kable's PBJ has been in the line since the late 1980s. It is three conductors, braided, with no jacket and no shield. Kimber calls the construction simple and elegant. Reviewers have called it a classic. It is still made by hand in Ogden, Utah.
Other length & termination options are available. Call us to discuss your needs.
The conductors are Kimber's VariStrand hyper-pure copper. Each is a bundle of strands in several gauges. The three are woven in Kimber's tri-braid field geometry, the pattern that rejects noise without a shield around it.
Each conductor sits in its own extruded fluorocarbon jacket. That is the clear insulation that gives the PBJ its look. For the balanced cable Kimber publishes 45.7 pF of capacitance and 1.01 µH of inductance per meter. Low capacitance keeps a line-level signal intact over a longer run.
PBJ ends in the plug Kimber fits to its balanced cables: a studio-grade Switchcraft XLR with silver-plated contact pins. Kimber solders it on by hand under nitrogen in Ogden, Utah. The plug latches into the jack and will not pull loose by accident. The silver plating keeps the contact clean.
Corey Greenberg, writing in Stereophile on July 1, 1993, called the PBJ "reference-level wire you can actually afford." The review helped make the cable a staple of budget systems.
Stephen Mejias, in Stereophile on June 20, 2012, heard "an outstanding job of re-creating the performance space." The PBJ remains in Stereophile's 2026 Recommended Components.
Run the PBJ from a balanced XLR output on your DAC, streamer, CD player or phono stage to a balanced XLR input on your preamp or amplifier. Keep left to left and right to right. Line up the pins and push until the latch clicks. Press the latch tab to release the plug.
Then listen.
Measure the route the cable will really take between your components, around shelves and behind the rack. Then add a little slack. As audio legend George Cardas puts it, "A cable that's just long enough usually turns out to be just not long enough." Keep the left and right cables the same length. We recommend a matched pair.
Balanced XLR works when both components have XLR jacks, and we recommend using XLRs whenever they do. If one component has only RCA jacks, use an RCA cable instead of an adapter. You only get the possible benefits of a balanced output with a pure XLR-to-XLR connection.
If your amplifier and speakers sit far from your source, we recommend a long interconnect over a long speaker cable. A really long interconnect affects system performance less than a really long speaker cable.
An interconnect often stays in a system for years, so it is easy to overlook. Look again when something else changes: a new DAC, streamer or phono stage, a better amplifier, or a move to components with balanced XLR jacks.
An interconnect is one link in the chain. It usually joins these categories.
A studio-grade Switchcraft XLR with silver-plated contact pins. Kimber names it on its balanced Tonik, PBJ, Silver Streak, Hero HB and Hero AG. Kimber solders it on by hand under nitrogen.
Each conductor is made of copper strands in more than one gauge. Kimber uses this stranding in every interconnect it makes.
There is no separate shield. Kimber relies on the tri-braid geometry to reject noise, which is why the cable has no outer jacket.
Kimber Timbre XLR is the next rung. It keeps the three-wire braid and adds a low-loss fluorocarbon dielectric, with the same Switchcraft XLR plug.
Audio Advisor looks at the PBJ, its braid and its plugs.
The most popular configurations are shown on this page. If your system requires a different length or termination, call our audio experts. We’ll help you choose the right configuration and arrange a custom cable for your system.
Want to learn more about interconnects, braided cables, or RCA versus XLR? Visit our Learning Center for guides, tips, and expert advice.
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